{"id":274,"date":"2013-02-01T04:18:28","date_gmt":"2013-02-01T04:18:28","guid":{"rendered":"http:\/\/greenfilmshooting.net\/blog\/en\/?p=274"},"modified":"2024-10-16T21:06:27","modified_gmt":"2024-10-16T21:06:27","slug":"climate-protection-in-st-pauli","status":"publish","type":"post","link":"https:\/\/greenfilmshooting.net\/blog\/en\/2013\/02\/01\/climate-protection-in-st-pauli\/","title":{"rendered":"Climate Protection in St. Pauli"},"content":{"rendered":"<div class=\"twoclick_social_bookmarks_post_274 social_share_privacy clearfix 1.6.4 locale-en_US sprite-en_US\"><\/div><div class=\"twoclick-js\"><script type=\"text\/javascript\">\/* <![CDATA[ *\/\njQuery(document).ready(function($){if($('.twoclick_social_bookmarks_post_274')){$('.twoclick_social_bookmarks_post_274').socialSharePrivacy({\"txt_help\":\"Wenn Sie diese Felder durch einen Klick aktivieren, werden Informationen an Facebook, Twitter, Flattr, Xing, t3n, LinkedIn, Pinterest oder Google eventuell ins Ausland \\u00fcbertragen und unter Umst\\u00e4nden auch dort gespeichert. N\\u00e4heres erfahren Sie durch einen Klick auf das <em>i<\\\/em>.\",\"settings_perma\":\"Dauerhaft aktivieren und Daten\\u00fcber-tragung zustimmen:\",\"info_link\":\"http:\\\/\\\/www.heise.de\\\/ct\\\/artikel\\\/2-Klicks-fuer-mehr-Datenschutz-1333879.html\",\"uri\":\"https:\\\/\\\/greenfilmshooting.net\\\/blog\\\/en\\\/2013\\\/02\\\/01\\\/climate-protection-in-st-pauli\\\/\",\"post_id\":274,\"post_title_referrer_track\":\"Climate+Protection+in+St.+Pauli\",\"display_infobox\":\"on\"});}});\n\/* ]]> *\/<\/script><\/div><p>A sustainable wind will be blowing behind the scenes at Germany\u2019s longest-running television series <em>Gro\u00dfstadtrevier<\/em> which was first aired in 1986. <a href=\"http:\/\/www.studio-hamburg.de\">Studio Hamburg Produktion<\/a> wants to build on its production experience to develop a keystone for new concepts to reduce emissions and waste. The series, which stars Jan Fedder as the down-to-earth Police Chief Inspector Dirk Mattes of the 14th district, is an ideal testing ground for Studio Hamburg Produktion to reduce emissions and waste during film and television production.<\/p>\n<p>&nbsp;<\/p>\n<p>The initial spark camewhen production manager Joerg Pawlik and director Lars Jessen attended the launch event for the <a href=\"http:\/\/www.ffhsh.de\/offline\/en_1538.asp?vonwo=pressemitteilungen&amp;PR_id=618245235343306380259111175920\">Green Shooting Card<\/a> initiated by Film Commission Hamburg Schleswig-Holstein. Inspired by their approach, Pawlik communicated the need to address ecology and sustainability issues in the production of television serials to management as well as to production managers and line producers. He considers a long-running serial format such as <em>Gro\u00dfstadtrevier<\/em>, that went into its 27th season in 2013, an especially suitable starting point. He began to rally actors and crew to the cause right away. \u2018The first step is to change the way of thinking and to inspire ecological awareness in everyone on the set.\u2019<\/p>\n<figure>\n<figcaption><\/figcaption><\/figure>\n<p><img decoding=\"async\" class=\"alignleft\" src=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2014\/12\/michael-lehmann.jpg\" alt=\"\" \/>Michael Lehmann, Head of Production at Studio Hamburg, immediately embraced the idea of conserving energy and resources in filmmaking. \u2018I really like the initiative of <a href=\"http:\/\/greenfilmshooting.net\/current-issue\/german-film-fund-director-eva-hubert-on-her-role-as-a-green-pioneer\/\">Filmf\u00f6rderung Hamburg Schleswig-Holstein<\/a>,\u2019 declared Lehmann. \u2018I am convinced that it will bring about a new attitude with producers. We are glad to join the trend and we want to get hands-on experience now.\u2019<\/p>\n<p>&nbsp;<\/p>\n<p>Long-running series present the best environment for testing green production methods and the development of new ideas. \u2018When we produce made-for-television movies such as <em>Der Tote im Eis<\/em> (<em>The Frozen Corps<\/em>e) for ZDF, production logistics alone can be a formidable challenge. In this case, we shot some scenes in the Carinthian Alps, some 3,000 meters (approx. 10,000 ft.) above sea level. We want to incorporate the experiences gained in the series into our other projects.\u2019<\/p>\n<figure>\n<figcaption><\/figcaption><\/figure>\n<p>Pawlik<img decoding=\"async\" class=\"alignright\" src=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2014\/12\/joerg-pawlik.jpg\" alt=\"\" \/> and his team have formulated clear sustainability goals for Gro\u00dfstadtrevier. The catering service will stop using disposable plates and there will be recycling bins in place for waste separation. Waste reduction and recycling are the first active steps a production can take towards sustainable filmmaking. Productions will use sustainable service providers as well as fuel-efficient vehicles or hybrid cars. The cast is being asked to travel by train. When filming on location, low-emission generators with particle filters will be used whenever possible. The choice of equipment can also help conserve energy on set. Gro\u00dfstadtrevier uses LED lamps and has switched to Arri Alexa cameras that require less additional lighting when filming at night.As Police Chief Inspector Dirk Matthies cleans up St. Pauli, the production team helps him to do it in an eco-friendly way.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Photos: \u00a9 studiohamburgproduktion<\/em><\/p>","protected":false},"excerpt":{"rendered":"A sustainable wind will be blowing behind the scenes at Germany\u2019s longest-running television series Gro\u00dfstadtrevier which was first aired in 1986. Studio Hamburg Produktion wants to build on its production experience to develop a keystone for new concepts to reduce emissions and waste. The series, which stars Jan Fedder as the down-to-earth Police Chief Inspector \u2026 <a class=\"moretag\" href=\"https:\/\/greenfilmshooting.net\/blog\/en\/2013\/02\/01\/climate-protection-in-st-pauli\/\">Read more<\/a>","protected":false},"author":4,"featured_media":104,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[17,18,16],"tags":[],"class_list":["post-274","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-series","category-studio-tv","category-tv"],"_links":{"self":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts\/274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/comments?post=274"}],"version-history":[{"count":5,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts\/274\/revisions"}],"predecessor-version":[{"id":6856,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts\/274\/revisions\/6856"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/media\/104"}],"wp:attachment":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/media?parent=274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/categories?post=274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/tags?post=274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}