{"id":3195,"date":"2017-10-25T04:09:21","date_gmt":"2017-10-25T04:09:21","guid":{"rendered":"http:\/\/greenfilmshooting.net\/blog\/en\/?p=3195"},"modified":"2017-10-25T13:50:05","modified_gmt":"2017-10-25T13:50:05","slug":"flexible-and-flicker-free","status":"publish","type":"post","link":"https:\/\/greenfilmshooting.net\/blog\/en\/2017\/10\/25\/flexible-and-flicker-free\/","title":{"rendered":"Flexible and flicker-free"},"content":{"rendered":"<div class=\"twoclick_social_bookmarks_post_3195 social_share_privacy clearfix 1.6.4 locale-en_US sprite-en_US\"><\/div><div class=\"twoclick-js\"><script type=\"text\/javascript\">\/* <![CDATA[ *\/\njQuery(document).ready(function($){if($('.twoclick_social_bookmarks_post_3195')){$('.twoclick_social_bookmarks_post_3195').socialSharePrivacy({\"txt_help\":\"Wenn Sie diese Felder durch einen Klick aktivieren, werden Informationen an Facebook, Twitter, Flattr, Xing, t3n, LinkedIn, Pinterest oder Google eventuell ins Ausland \\u00fcbertragen und unter Umst\\u00e4nden auch dort gespeichert. N\\u00e4heres erfahren Sie durch einen Klick auf das <em>i<\\\/em>.\",\"settings_perma\":\"Dauerhaft aktivieren und Daten\\u00fcber-tragung zustimmen:\",\"info_link\":\"http:\\\/\\\/www.heise.de\\\/ct\\\/artikel\\\/2-Klicks-fuer-mehr-Datenschutz-1333879.html\",\"uri\":\"https:\\\/\\\/greenfilmshooting.net\\\/blog\\\/en\\\/2017\\\/10\\\/25\\\/flexible-and-flicker-free\\\/\",\"post_id\":3195,\"post_title_referrer_track\":\"Flexible+and+flicker-free\",\"display_infobox\":\"on\"});}});\n\/* ]]> *\/<\/script><\/div><p>When James Kent directed the post-war drama <em>The Aftermath<\/em> with Keira Knightley und Alexander Skarsgard, Academy-award winning German director Florian Henckel von Donnersmarck shot his film <em>Werk ohne Autor<\/em> and Tom Tykwer\u2019s DOP Frank Griebe was lensing the German TV series <em>Babylon Berlin<\/em> they all used the flexible LEDs lights from Hamburg-based company <a href=\"https:\/\/www.carpetlight.com\/\">Carpetlight<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>The high tech lighting products that come in five different sizes are woven into silver-coated material with an extremely low thickness of less than 10 mm and a surface weight as low as 1.000 grams per square meter. Thanks to the lightweight design the flexible LEDs can easily be carried but also arranged and suspended in multiple ways in order to solve difficult lighting scenarios. \u201cWe understand professionals need to have full flexibility when creating individual lighting setups to ensure perfect results in all situations\u201d, says G\u00f6tz Schmidt zur Nedden, Managing director of Carpetlight. \u201cWe are featuring a high CRI tuneable white reaching from 2800 K to over 5600 K. Powered by a PWM with constant current control for a combination ultra fine low light dimming and flicker-free rendering.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2017\/10\/cc.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3200 alignright\" src=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2017\/10\/cc-300x184.jpg\" alt=\"\" width=\"333\" height=\"204\" srcset=\"https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2017\/10\/cc-300x184.jpg 300w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2017\/10\/cc.jpg 402w\" sizes=\"auto, (max-width: 333px) 100vw, 333px\" \/><\/a>The LEDs are convection cooled through a patented multilayer textile compound. The outer textile shell ensures maximum mechanical protection and also provides water and dust repellent properties. On the front side a spacer fabric enlarges and diffuses the light emitting area and most importantly protects the only hard: the LEDs. An additional optical fabric converts the circular light pattern to a linear form. The power supply can be operated remotely via DMX protocol to change the light intensity and color temperature \u2013 or manually directly at the unit. Any DC voltage between 12 and 36 Volts coming from batteries or AC\/DC power supplies can be used to power the Carpetlight.<\/p>\n<p>&nbsp;<\/p>\n<p>From November 1 to 4, the smart lighting products will be presented at the <a href=\"https:\/\/pld-c.com\/\">2017 Paris Professional Lightening Convention<\/a> that provides a platform for the latest developments in lighting design. \u201cWe are featuring a high CRI tuneable white reaching from 2800 K to over 5600 K\u201d, says G\u00f6tz Schmidt zur Nedden. Powered by a PWM with constant current control for a combination ultra fine low light dimming and flicker-free rendering. The LEDs are convection cooled through a patented multilayer textile compound. The outer textile shell ensures maximum mechanical protection and also provides water and dust repellent properties.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2017\/10\/Carpetlight.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3196 alignleft\" src=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2017\/10\/Carpetlight-300x168.jpg\" alt=\"\" width=\"300\" height=\"168\" srcset=\"https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2017\/10\/Carpetlight-300x168.jpg 300w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2017\/10\/Carpetlight.jpg 614w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\u201cOur product range features low weight down to 300 grams and a high luminous output up to 8000 lumen\u201d, concludes the Carpetlight MD. For the use as a standard movie floodlight, the textile lamp is kept by an aluminium frame in a rectangular shape. Velcro fasteners and pins are used to fix various accessories. According to the requirements of the customers, Carpetlight offers different LED combinations, lower LED pitch, variations in fabrics as well the use of standard CC LED drivers.<\/p>\n<p><em>Photos: \u00a9Carpetlight<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"When James Kent directed the post-war drama The Aftermath with Keira Knightley und Alexander Skarsgard, Academy-award winning German director Florian Henckel von Donnersmarck shot his film Werk ohne Autor and Tom Tykwer\u2019s DOP Frank Griebe was lensing the German TV series Babylon Berlin they all used the flexible LEDs lights from Hamburg-based company Carpetlight. &nbsp; \u2026 <a class=\"moretag\" href=\"https:\/\/greenfilmshooting.net\/blog\/en\/2017\/10\/25\/flexible-and-flicker-free\/\">Read more<\/a>","protected":false},"author":4,"featured_media":3199,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[38,3,31,19,9],"tags":[],"class_list":["post-3195","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-energy-efficiency","category-event","category-innovation","category-lightening","category-production"],"_links":{"self":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts\/3195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/comments?post=3195"}],"version-history":[{"count":11,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts\/3195\/revisions"}],"predecessor-version":[{"id":3210,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts\/3195\/revisions\/3210"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/media\/3199"}],"wp:attachment":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/media?parent=3195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/categories?post=3195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/tags?post=3195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}