{"id":3487,"date":"2018-02-16T12:51:46","date_gmt":"2018-02-16T12:51:46","guid":{"rendered":"http:\/\/greenfilmshooting.net\/blog\/en\/?p=3487"},"modified":"2019-10-25T22:28:24","modified_gmt":"2019-10-25T22:28:24","slug":"green-bits-and-bites","status":"publish","type":"post","link":"https:\/\/greenfilmshooting.net\/blog\/en\/2018\/02\/16\/green-bits-and-bites\/","title":{"rendered":"Green bits and bites"},"content":{"rendered":"<div class=\"twoclick_social_bookmarks_post_3487 social_share_privacy clearfix 1.6.4 locale-en_US sprite-en_US\"><\/div><div class=\"twoclick-js\"><script type=\"text\/javascript\">\/* <![CDATA[ *\/\njQuery(document).ready(function($){if($('.twoclick_social_bookmarks_post_3487')){$('.twoclick_social_bookmarks_post_3487').socialSharePrivacy({\"txt_help\":\"Wenn Sie diese Felder durch einen Klick aktivieren, werden Informationen an Facebook, Twitter, Flattr, Xing, t3n, LinkedIn, Pinterest oder Google eventuell ins Ausland \\u00fcbertragen und unter Umst\\u00e4nden auch dort gespeichert. N\\u00e4heres erfahren Sie durch einen Klick auf das <em>i<\\\/em>.\",\"settings_perma\":\"Dauerhaft aktivieren und Daten\\u00fcber-tragung zustimmen:\",\"info_link\":\"http:\\\/\\\/www.heise.de\\\/ct\\\/artikel\\\/2-Klicks-fuer-mehr-Datenschutz-1333879.html\",\"uri\":\"https:\\\/\\\/greenfilmshooting.net\\\/blog\\\/en\\\/2018\\\/02\\\/16\\\/green-bits-and-bites\\\/\",\"post_id\":3487,\"post_title_referrer_track\":\"Green+bits+and+bites\",\"display_infobox\":\"on\"});}});\n\/* ]]> *\/<\/script><\/div><p>Delicious regional fruit, a ban on the use of plastic, and a nearby set. At the Berlinale Competition, the audience can discover several films that have been produced sustainably. During the principal photography of <em>3 Tage in Quiberon<\/em> by Emily Atef, the lead actress Marie Ba\u0308umer only had to take a few steps to get from her hotel to the set. \u201cWe shot more than two-thirds of the film on the principal location\u201d, says Karsten Sto\u0308ter, producer of this moving drama about three emotionally charged days in the life of film star Romy Schneider.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/DSCF3702-Kopie.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-3489\" src=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/DSCF3702-Kopie-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/DSCF3702-Kopie-300x200.jpg 300w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/DSCF3702-Kopie-768x512.jpg 768w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/DSCF3702-Kopie-1024x683.jpg 1024w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/DSCF3702-Kopie-630x420.jpg 630w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>For this picture, a glass pavilion on the Baltic island of Fehmarn was turned into a hotel where guest rooms, a bathroom, and a lobby were built. Thanks to a 4&#215;10 meter photo backdrop, the view from the balcony overlooked the same sea and rocky beach as did the original location in Quiberon. The Costume and Make-up Departments were located nearby in the hotel where the actors were staying. The short distance from the set to the hotel saved time, money \u2013 and was climate-friendly. Shooting <em>3\u00a0Tage in Quiberon<\/em> required neither generators nor a car pool, so the production qualified for a <a href=\"http:\/\/greenfilmshooting.net\/blog\/en\/2013\/02\/01\/a-necessity-not-a-nicety\/\">Green Shooting Card<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/Street-Food.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-3496 alignright\" src=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/Street-Food-300x200.jpg\" alt=\"\" width=\"404\" height=\"269\" srcset=\"https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/Street-Food-300x200.jpg 300w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/Street-Food-768x512.jpg 768w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/Street-Food-1024x682.jpg 1024w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/Street-Food-630x420.jpg 630w\" sizes=\"auto, (max-width: 404px) 100vw, 404px\" \/><\/a>A focus on green film production is also on the agenda at several Berlinale industry discussions: the <a href=\"http:\/\/greenfilmshooting.net\/blog\/en\/2018\/02\/10\/strategies-for-green-production-and-financing\/\">European Film Market<\/a>, the <a href=\"http:\/\/greenfilmshooting.net\/blog\/en\/2018\/02\/13\/green-production-no-false-excuses\/\">Berlinale Co-Production Market<\/a>, and the <a href=\"http:\/\/greenfilmshooting.net\/blog\/en\/2018\/02\/15\/go-for-greenberlinale-open-house\/\">Berlinale Audi Lounge<\/a>. \u201eOur society is changing its perspective by taking greater account of the economics of ecology. The transition to clean energy and the ban on diesel fuel, plastic, and pesticides are already key issues in political discourse\u201c, notes Festival Director Dieter Kosslick, a slow-food connoisseur who is committed to sustainable food production. \u201eThat\u2018s also an issue for the film and media industry, which, in several countries, has already begun adopting best practices.\u201c<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/FM-still.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-3490\" src=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/FM-still-300x128.jpg\" alt=\"\" width=\"300\" height=\"128\" srcset=\"https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/FM-still-300x128.jpg 300w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/FM-still-768x327.jpg 768w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/FM-still-1024x436.jpg 1024w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/FM-still-630x268.jpg 630w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>The Berlinale Competition features <em>Figlia Mia<\/em> (<em>Daughter of Mine<\/em>), a film by Italian director Laura Bispuri that was sustainably produced in Sardinia \u201eWe had a democratic set\u201c, elaborates the producer Marta Donzelli. \u201eNo trailers or limousines were provided for the actors.\u201c Alba Rohrwacher and Valeria Golino enjoyed that. \u201eMost of the time, we rented a large house as a location which also housed the production office and the Costume, Hair and Make-up Departments. \u201eWe car-pooled and provided the actors with bicycles, so they could move freely in throughout village.\u201c<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/The-Green-Lie-.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-3491 alignright\" src=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/The-Green-Lie--300x200.jpg\" alt=\"\" width=\"344\" height=\"229\" srcset=\"https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/The-Green-Lie--300x200.jpg 300w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/The-Green-Lie--768x513.jpg 768w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/The-Green-Lie--1024x684.jpg 1024w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2018\/02\/The-Green-Lie--630x421.jpg 630w\" sizes=\"auto, (max-width: 344px) 100vw, 344px\" \/><\/a>The Italian producer is also presenting the documentary <em>Lorello e Brunello<\/em> in the Culinary Cinema section. The film portrays twin brothers who run a small farm in Tuscany which is facing bankruptcy due to the falling price of agricultural products in the global market. Industrial food production and greenwashing methods used to falsely market products as sustainably produced is the theme of the documentary<em> Green Lies<\/em> by <em>Plastic Planet<\/em> director Werner Boote. In <em>The Game Changers<\/em>, U.S. filmmaker Louie Psihoyos interviews elite athletes, soldiers from special operations groups, and scientists on the question of whether meat is a necessary source of protein for our body. \u201eThe films we\u2018re showing have real bite\u201c, says Dieter Kosslick, wryly making his point.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Photos: \u00a9 Peter Hartwig\/Rohfilm Factory, Piero Chiussi\/ Berlinale, Litle Dream Entertainment<\/em><\/p>","protected":false},"excerpt":{"rendered":"Delicious regional fruit, a ban on the use of plastic, and a nearby set. At the Berlinale Competition, the audience can discover several films that have been produced sustainably. During the principal photography of 3 Tage in Quiberon by Emily Atef, the lead actress Marie Ba\u0308umer only had to take a few steps to get \u2026 <a class=\"moretag\" href=\"https:\/\/greenfilmshooting.net\/blog\/en\/2018\/02\/16\/green-bits-and-bites\/\">Read more<\/a>","protected":false},"author":4,"featured_media":3492,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[2,12,23,30,9,36],"tags":[],"class_list":["post-3487","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-co-calculation","category-feature","category-food","category-mobility","category-production","category-transportation"],"_links":{"self":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts\/3487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/comments?post=3487"}],"version-history":[{"count":9,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts\/3487\/revisions"}],"predecessor-version":[{"id":4605,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts\/3487\/revisions\/4605"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/media\/3492"}],"wp:attachment":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/media?parent=3487"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/categories?post=3487"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/tags?post=3487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}