{"id":5738,"date":"2022-03-26T21:34:00","date_gmt":"2022-03-26T21:34:00","guid":{"rendered":"https:\/\/greenfilmshooting.net\/blog\/en\/?p=5738"},"modified":"2022-03-26T21:34:00","modified_gmt":"2022-03-26T21:34:00","slug":"circular-economy-cleaning-of-painting-tools","status":"publish","type":"post","link":"https:\/\/greenfilmshooting.net\/blog\/en\/2022\/03\/26\/circular-economy-cleaning-of-painting-tools\/","title":{"rendered":"Circular economy: cleaning of painting tools"},"content":{"rendered":"<div class=\"twoclick_social_bookmarks_post_5738 social_share_privacy clearfix 1.6.4 locale-en_US sprite-en_US\"><\/div><div class=\"twoclick-js\"><script type=\"text\/javascript\">\/* <![CDATA[ *\/\njQuery(document).ready(function($){if($('.twoclick_social_bookmarks_post_5738')){$('.twoclick_social_bookmarks_post_5738').socialSharePrivacy({\"txt_help\":\"Wenn Sie diese Felder durch einen Klick aktivieren, werden Informationen an Facebook, Twitter, Flattr, Xing, t3n, LinkedIn, Pinterest oder Google eventuell ins Ausland \\u00fcbertragen und unter Umst\\u00e4nden auch dort gespeichert. N\\u00e4heres erfahren Sie durch einen Klick auf das <em>i<\\\/em>.\",\"settings_perma\":\"Dauerhaft aktivieren und Daten\\u00fcber-tragung zustimmen:\",\"info_link\":\"http:\\\/\\\/www.heise.de\\\/ct\\\/artikel\\\/2-Klicks-fuer-mehr-Datenschutz-1333879.html\",\"uri\":\"https:\\\/\\\/greenfilmshooting.net\\\/blog\\\/en\\\/2022\\\/03\\\/26\\\/circular-economy-cleaning-of-painting-tools\\\/\",\"post_id\":5738,\"post_title_referrer_track\":\"Circular+economy%3A+cleaning+of+painting+tools\",\"display_infobox\":\"on\"});}});\n\/* ]]> *\/<\/script><\/div><p>When there is no water supply on set, it becomes difficult for the production design department to clean painting tools. The inappropriate disposal of chemicals and leftover painting materials is no longer a trivial offense, but punishable by a fine. As a member of the French collective <a href=\"https:\/\/greenfilmshooting.net\/blog\/en\/2021\/07\/10\/recycle-restore-reuse\/\">\u00c9co-D\u00e9co<\/a>, the set designer Sabine Barthelemy has made it her business to test eco-friendly materials and practices for set decoration. During the shooting of Michel Hazanavicius\u2018 zombie comedy <em>Z<\/em> (comme Z) on the fallow land of the former racetrack in \u00c9vry, where her five-member set design team had access to neither water nor electricity, she used a mobile cleaning system developed specifically for painting tools.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2022\/03\/3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-5741\" src=\"http:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2022\/03\/3-300x161.jpg\" alt=\"\" width=\"300\" height=\"161\" srcset=\"https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2022\/03\/3-300x161.jpg 300w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2022\/03\/3-1024x550.jpg 1024w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2022\/03\/3-768x412.jpg 768w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2022\/03\/3-630x338.jpg 630w, https:\/\/greenfilmshooting.net\/blog\/en\/wp-content\/uploads\/sites\/3\/2022\/03\/3.jpg 1166w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\u201eWe offer a range of mobile and stationary solutions for cleaning tools that operate in a one-hundred percent closed circuit. They work without consuming water or discharging effluents contaminated by micropollutants\u201c, says Thierry Hatat, whose company <a href=\"\/www.enviro-plus.fr\">Enviro Plus<\/a> provides innovative cleaning solutions. Reprocessing the wastewater in this roller and paintbrush cleaning system is done by a flocculating agent, which is based on bentonite. Clay absorbs the pollutants in the water, and it leaves behind a sludge. After it has dried, the sludge can be disposed of as commercial waste.<\/p>\n<p>&nbsp;<\/p>\n<p>Thanks to the partnership with the <a href=\"https:\/\/laressourcerieducinema.org\/\">Ressourcerie du Cin\u00e9ma<\/a>, which collects set-design elements from productions and refurbishes them for reuse, various studios and film productions are now using this successful cleaning system. Noted clients include Studios de la Montjoie in Saint Denis as well as production designer Sylvie Oliv\u00e9, who created the set design of the films <em>Mr. Nobod<\/em>y and <em>The Brand New Testament<\/em> by Jaco Van Dormael. The system also found its way to the prestigious film school <a href=\"https:\/\/www.femis.fr\/\">La femis<\/a> in Paris. \u201eThe Chef Constructeur Claude Doar\u00e9 was initially doubtful\u201c, says Thierry Hatat, \u201ebut the students think highly of the cleaning station.\u201c<\/p>\n<p>&nbsp;<\/p>\n<p><em>Photos: \u00a9 Enviro Plus<\/em><\/p>","protected":false},"excerpt":{"rendered":"When there is no water supply on set, it becomes difficult for the production design department to clean painting tools. The inappropriate disposal of chemicals and leftover painting materials is no longer a trivial offense, but punishable by a fine. As a member of the French collective \u00c9co-D\u00e9co, the set designer Sabine Barthelemy has made \u2026 <a class=\"moretag\" href=\"https:\/\/greenfilmshooting.net\/blog\/en\/2022\/03\/26\/circular-economy-cleaning-of-painting-tools\/\">Read more<\/a>","protected":false},"author":4,"featured_media":5739,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[46,9,50],"tags":[],"class_list":["post-5738","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-best-practices","category-production","category-set-design"],"_links":{"self":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts\/5738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/comments?post=5738"}],"version-history":[{"count":3,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts\/5738\/revisions"}],"predecessor-version":[{"id":5743,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/posts\/5738\/revisions\/5743"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/media\/5739"}],"wp:attachment":[{"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/media?parent=5738"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/categories?post=5738"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/greenfilmshooting.net\/blog\/en\/wp-json\/wp\/v2\/tags?post=5738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}