For the modernization of its TV studios, ZDF has chosen energy-efficient lighting with high-performance LEDs. This trend-setting technology offers a variety of creative advantages, and it optimizes the workflow during everyday production. Besides Studio 1 in Mainz, the Hauptstadtstudio (the Capital City Studio) in Berlin, various ZDF studios in other German regions as well as abroad, will be upgraded with LED lighting.
„Our lighting concept has been completely transformed by production requirements”, says Andreas Keding, the Engineer for Studio and Light Equipment, who is in charge of the modernization of ZDF‘s studios. Thanks to the use of ultra light-sensitive HD cameras, less artificial light is needed in Studio 1 in Mainz, where Der Länderspiegel and several other 3Sat shows are produced. Basic illumination, which consisted of 110 spotlights, has been reduced to 70 halogen spotlights with Fresnel lenses that consume only 2 KW instead of 5 KW. „This is how we save about 400 KW per broadcasted hour.”
Due to the use of LED bank lighting for the studio cyclorama, the traditional fluorescent lighting technique is going to be replaced. LDDE‘s LedCyc9 panels, which are designed with 150 square meters of lighting surface, insure smooth backlighting. The RGBW High Power LED guarantees not only 30% more lighting output but it also gets high scores in the creative field because it offers a larger selection of colors (red, green, blue, and white) for the cyclorama. “By using additive lighting mix techniques, you can generate any shade that‘s necessary”, explains Michael Kriwet, CTO at the Cologne-based Lightequip, who is responsible for product selection and project management. The advantage of luminous LED backlights: gels and filters are no longer necessary, which saves time, manpower and, therefore, costs.
„With the new LED backlight lamps, we even can throw up a BlueBox and Green Screen in order to include virtual elements in broadcast concept“, Keding points out. Partially virtual set decoration elements were used in Der Länderspiegel, so films can be screened besides the presenter. „Before, you had to have Duvatyne stretched out, but today it works with light, so that there‘s no need to set up complex set decoration elements. We cut down on energy consumption, while the number of formats that we can produce has multiplied, and the turnaround times in set construction and tear-down have become much shorter.“
The Hauptstadtstudio in Berlin, where live shows such as ZDF-Morgenmagazin, Frontal 21, Berlin direkt, aspekte, maybritt illner, as well as political talk shows, are produced, will be equipped with banks of LED lights. The reason for the LED conversion is the increasing number of productions. „We have to act faster in the studio“, emphasizes Keding. „Because of the Morgenmagazin (i.e., the morning breakfast TV show), we have twelve set tear-downs and constructions in a seven-day period because the show changes every day, sometimes twice a day.“
LED lamps are more energy efficient than traditional fluorescent studio lighting. „With 50,000 hours of production, their lifespan is much longer and they‘re more environmentally friendly throughout their product life, from manufacturing to operation and all the way down to disposal, because they use only a tiny bit of silicate“, notes Kriwet. „This is the first generation of lamps that will not end up being replaced after twenty years because it has been physically worn out, but because one day it won‘t be state-of-the-art anymore.“
“The time for half-measures and climate denial is over. Unless we move quickly away from fossil fuels, we’re going to destroy the air we breathe, the water we drink, the health of our children, grandchildren and future generations. If we’re going to avoid the worst of the impacts, then we’ve just got to act boldly. And we must act immediately."
Robert Redford
Actor, Director, Producer, Environmentalist
"The media has a powerful role to play in the fight against climate change. Through films, television, and all media outlets, we must continue to deliver the message that solutions are out there and are happening now. We have to make it attractive for people to take action. Movies like Avatar, The Day After Tomorrow, and documentaries like Years of Living Dangerously, which I was proud to be a part of, have been very popular, reaching and inspiring millions of people. And I believe films in particular can really inspire and make people want to take action. It’s great to see some of my film-industry friends working with climate related organizations to push forward those messages."
„It‘s high time to reorganize film production in Germany in a ‚greener‘ and more sustainable way. So far, I am flabbergasted by how much our industry works in environmentally harmful ways.To this very day, it starts with until today one-sided print-outs of scripts, and then it continues with plastic bottles in production offices and lots of plastic waste with every catered meal, and it doesn‘t stop with the limousines that pull up to a red carpet.
For many years, people have sneered at me when I brought my own cup or I declined to eat cheap meat served on paper or plastic plates with plastic knives and forks. It would be great if the Green Shooting Card could change all that.“
Director (Ben X, Time of My Life)
„It’s absolutely great that filmmakers all over the world are trying to clean up their act, and are trying to film as sustainable as we possibly can. Still, I think we shouldn’t underestimate the incredible power of the moving image to also change the hearts and minds of people.
So, apart from trying to be more environmentally aware in our business, I think the big gain lies in how we might make everyone more environmentally aware. Yes, cinema can change the world.
I think filmmakers should start using the powerful weapon in our hands that is the camera.
Let’s not only try to do ‘less bad’. Let’s try to do right, and help drive the change that we all know needs to arrive.“
“We are living in a time in which we can’t afford to behave irresponsibly towards nature. The more important is it that film productions try to work as environmentally friendly as possible. A film team produces every day tons of garbage. I try to avoid using plastic cups on set, I bring my own cup, use ecofriendly cosmetics and avoid needless single rides.”
Photo ® Maddalena Arosio
Darren Aronofsky, Director, Noah / Jury President, 65th Berlin International Film Festival
“When we did Noah we knew we were making a film about the first steward of the earth, so we wanted to be good stewards ourselves. There’s so much waste on film sets. Because of groups like Earth Angel, we were able to change that a little bit.”
"As a TV and film producer I try to incorporate environmental storylines into my projects as much as possible. But it’s just as important, if not more, to ‚go green‘ behind the scenes! Therefore, I help run the Producers Guild of America’s Green Initiative.
We provide resources such as a Best Practices and a Carbon Calculator to help producers green their productions. We also partnered with all the major studios to create www.greenproductionguide.com which is a free green vendor database with over 2,000 vendors offering sustainable production solutions worldwide!"
‚Green screens excepted, we will do everything in our power to be as innovative as we can in order to make our production as green as possible.‘
Photo: (c) herbXfilm Dieter Mayr
Lars Jessen
Director (Fraktus, Dorfpunks, Am Tag als Bobby Ewing starb)
‘It is somewhat embarrassing that green filming is only now becoming an issue in our industry because there have long since been many possibilities to shoot more efficiently.
Technical innovations such as energy efficient lighting are as much a part of this as the awareness of every crew member.’
I do work with a company in the States called Sungevity that leases solar panels to homes. They figured out how to move forward environmentally and how to make it economically successful.
So that’s my small but steadfast global contribution. I think everybody doing a little bit is all that’s made any difference, ever.‘
Producer, Director and Visual Effects Supervisor (2001: A Space Odysee, Blade Runner)
"Trumbull Studios in Massachusetts is dedicated to being green as much as possible, including the use of LED lighting, solar power, and solar laptops. This is not just because our location has limited amperage and no three-phase, we believe we have a responsibility to our community and our planet to be a clean industry.
We are planning for digital photography in 3D 4K at 120 frames per second from remote and inaccessible locations that will not have available power. Solar is the way to go."
Dieter Kosslick, Director Berlin International Film Festival
„The Berlinale is already actively addressing the sustainability subject since years. We appreciate it very much that a growing number of filmmakers, among them this year‘s jury presiden Darren Aranofsky, is following green guidelines on set.“
Benoit Delhomme
Director of Photography (A Most Wanted Man)
‘I never have been told precisely what the rules are for shooting a green movie, but we are trying to do it. This is something new for me. Sometimes people overlight scenes at night. I don’t. If I can see with my own eyes, then it is enough for the film. In that sense I am a green DoP.’
Academy Award winner Jeremy Irons who stars in the Berlinale Competition entry The Night Train To Lisbon is a fan of source segregated recycling. „Especially in Germany you have done a lot for that. You are examplary in the matter of waste separation.“
The Hollywood actor travelled around the world to promote the environmntal documentary feature film Trashed by Candida Brady which deals with the global garbage problem: „We buy it, we bury it, we burn it and then we ignore it“, says Brady. „With Jeremy Irons as our guide, we discover what happens to the billion or so tons of waste that goes unaccounted for each year.“
Since the world premiere at the International Cannes Film Festival in 2012 Trashed picked up various nominations and awards at international festivals.