It is quite a challenge for European manufacturers to compete with supplier from China, which can produce their products much cheaper because they don’t have to be in compliance with environmental and social standards. Fabio DeSisti, CEO of the Italian manufacturer DeSisti Lighting, speaks in the Green Film Shooting interview about European safety and quality standards.
What is DeSisti’s green policy?
Our commitment started a long time ago. We developed LED lighting by utilizing the identical metal architectural of the tungsten lights that we had been promoting for forty years. Our LED solutions perfectly match the housings of the old tungsten lights.
We offer retrofits that make it possible to upgrade tungsten lights to LED. We also have a policy for new lights in which we buy back the old lights and recycle them. About 98 percent of the old lights get new LED fixtures. We only replace the lamp holder and the reflector in the old lights. We use them as spare parts, so we don’t trash anything. This solution covers many areas that retrofitting alone wouldn’t cover.
What results do you get by upgrading from tungsten to LED?
There is an approximate 80–90 percent reduction in power consumption. There are some secondary effects on ancillary reductions, for example, air conditioning, because with tungsten lights, 90–93 percent of the energy input is transformed in heat; while with LED, just under 70 percent is transformed in heat. So, if you already have LED, which is one-tenth of that of tungsten, and the heat is 70 percent of one-tenth, then you have 0.7 percent of the energy being transformed into heat. In the old days, it was closer to 9.2, 9.3 percent.
Where do you source your raw materials?
We are a true European supplier. Our goal is to have repeatable purchasing options as well as repeatable components. We have some suppliers that come up with custom solutions for us. We also have some new setups. We have a manufacturing facility that actually is taking the very basic raw materials that are only available outside Europe and using them in components.
Will less products be produced in China?
In the old days, Chinese products came to Europe not only as raw material but also as applications. It was an invasion. But lately, the Chinese realize that there are very high transportation costs and many more issues with tariffs. We see an opportunity to develop the applications of some of the components that came from distant suppliers. We are studying this to determine whether we can do it professionally with the right certifications and adherence to safety and quality standards.
How can European manufacturers protect themselves against Chinese competitors?
I’m not certain whether there the European market can be rigidly protected from Chinese competition. It’s a complicated phenomenon. Commercial wars are difficult to undertake.
For instance, a worker’s salary in China represents a tenth of that of a worker in Germany. And this is impossible to fight if you accept that export products are being made by slave labor. If you simply allow a country to practice slavery, and there’s a free market for it’s products, then we have failed. A competitor that doesn’t follow the same rules can offer his product at much cheaper prices if he ignores safety.
How do you act against this?
We have a some intrinsic protection because our customers are more demanding. Standardization of certain products is very important, because we can make spare parts available. Some Chinese companies don’t maintain their products; they just replace it. We want to participate by actively applying the concepts of green best practices, safety, performative, and, efficiency.
“The time for half-measures and climate denial is over. Unless we move quickly away from fossil fuels, we’re going to destroy the air we breathe, the water we drink, the health of our children, grandchildren and future generations. If we’re going to avoid the worst of the impacts, then we’ve just got to act boldly. And we must act immediately."
Robert Redford
Actor, Director, Producer, Environmentalist
"The media has a powerful role to play in the fight against climate change. Through films, television, and all media outlets, we must continue to deliver the message that solutions are out there and are happening now. We have to make it attractive for people to take action. Movies like Avatar, The Day After Tomorrow, and documentaries like Years of Living Dangerously, which I was proud to be a part of, have been very popular, reaching and inspiring millions of people. And I believe films in particular can really inspire and make people want to take action. It’s great to see some of my film-industry friends working with climate related organizations to push forward those messages."
„It‘s high time to reorganize film production in Germany in a ‚greener‘ and more sustainable way. So far, I am flabbergasted by how much our industry works in environmentally harmful ways.To this very day, it starts with until today one-sided print-outs of scripts, and then it continues with plastic bottles in production offices and lots of plastic waste with every catered meal, and it doesn‘t stop with the limousines that pull up to a red carpet.
For many years, people have sneered at me when I brought my own cup or I declined to eat cheap meat served on paper or plastic plates with plastic knives and forks. It would be great if the Green Shooting Card could change all that.“
Director (Ben X, Time of My Life)
„It’s absolutely great that filmmakers all over the world are trying to clean up their act, and are trying to film as sustainable as we possibly can. Still, I think we shouldn’t underestimate the incredible power of the moving image to also change the hearts and minds of people.
So, apart from trying to be more environmentally aware in our business, I think the big gain lies in how we might make everyone more environmentally aware. Yes, cinema can change the world.
I think filmmakers should start using the powerful weapon in our hands that is the camera.
Let’s not only try to do ‘less bad’. Let’s try to do right, and help drive the change that we all know needs to arrive.“
“We are living in a time in which we can’t afford to behave irresponsibly towards nature. The more important is it that film productions try to work as environmentally friendly as possible. A film team produces every day tons of garbage. I try to avoid using plastic cups on set, I bring my own cup, use ecofriendly cosmetics and avoid needless single rides.”
Photo ® Maddalena Arosio
Darren Aronofsky, Director, Noah / Jury President, 65th Berlin International Film Festival
“When we did Noah we knew we were making a film about the first steward of the earth, so we wanted to be good stewards ourselves. There’s so much waste on film sets. Because of groups like Earth Angel, we were able to change that a little bit.”
"As a TV and film producer I try to incorporate environmental storylines into my projects as much as possible. But it’s just as important, if not more, to ‚go green‘ behind the scenes! Therefore, I help run the Producers Guild of America’s Green Initiative.
We provide resources such as a Best Practices and a Carbon Calculator to help producers green their productions. We also partnered with all the major studios to create www.greenproductionguide.com which is a free green vendor database with over 2,000 vendors offering sustainable production solutions worldwide!"
‚Green screens excepted, we will do everything in our power to be as innovative as we can in order to make our production as green as possible.‘
Photo: (c) herbXfilm Dieter Mayr
Lars Jessen
Director (Fraktus, Dorfpunks, Am Tag als Bobby Ewing starb)
‘It is somewhat embarrassing that green filming is only now becoming an issue in our industry because there have long since been many possibilities to shoot more efficiently.
Technical innovations such as energy efficient lighting are as much a part of this as the awareness of every crew member.’
I do work with a company in the States called Sungevity that leases solar panels to homes. They figured out how to move forward environmentally and how to make it economically successful.
So that’s my small but steadfast global contribution. I think everybody doing a little bit is all that’s made any difference, ever.‘
Producer, Director and Visual Effects Supervisor (2001: A Space Odysee, Blade Runner)
"Trumbull Studios in Massachusetts is dedicated to being green as much as possible, including the use of LED lighting, solar power, and solar laptops. This is not just because our location has limited amperage and no three-phase, we believe we have a responsibility to our community and our planet to be a clean industry.
We are planning for digital photography in 3D 4K at 120 frames per second from remote and inaccessible locations that will not have available power. Solar is the way to go."
Dieter Kosslick, Director Berlin International Film Festival
„The Berlinale is already actively addressing the sustainability subject since years. We appreciate it very much that a growing number of filmmakers, among them this year‘s jury presiden Darren Aranofsky, is following green guidelines on set.“
Benoit Delhomme
Director of Photography (A Most Wanted Man)
‘I never have been told precisely what the rules are for shooting a green movie, but we are trying to do it. This is something new for me. Sometimes people overlight scenes at night. I don’t. If I can see with my own eyes, then it is enough for the film. In that sense I am a green DoP.’
Academy Award winner Jeremy Irons who stars in the Berlinale Competition entry The Night Train To Lisbon is a fan of source segregated recycling. „Especially in Germany you have done a lot for that. You are examplary in the matter of waste separation.“
The Hollywood actor travelled around the world to promote the environmntal documentary feature film Trashed by Candida Brady which deals with the global garbage problem: „We buy it, we bury it, we burn it and then we ignore it“, says Brady. „With Jeremy Irons as our guide, we discover what happens to the billion or so tons of waste that goes unaccounted for each year.“
Since the world premiere at the International Cannes Film Festival in 2012 Trashed picked up various nominations and awards at international festivals.