At the Green Tec Day, hosted by the German Association of Film and TV Technicians (VTFF) at the Jofa Studios in Berlin-Adlershof on the occasion of the Berlin International Film Festival on February 20, manufacturers and rental houses are presenting advanced solutions for sustainable film production at the 1.300 sq m stage. The green event for film and TV professionals will also feature two panel discussions with industry representatives who will give an insight into their new developments.
The first panel discussion is about the ecological benefit of resource efficient production tools, ranging from analogue over digital to mixed reality. There is a broad bandwidth of options that can be used to produce film and TV productions more ecofriendly. It starts with planning at an early stage, that requires information and communication. The use of resources can be managed efficiently as Roman Russo, creator of the Green Tool Box, and Florian Reimann, Managing Director of Yamdu will point out.
The German cinematographer Dedo Weigert, two-times winner of the Technical Achievement Award from the Academy of Motion Picture Arts and Science, developed the Dedolight more than thirty years ago. The optical principle of the dual lens concept allows enhanced light output, tighter focusing range, and more even light and color distribution. Over the course of the years, this innovation has been developed much further and made the transfer into the LED world with the Dedolight DLED Turbo Series.
Jens Telchow will share information about diewattkiste , a 5 kW mobile power bank that is built-in a flight case. Ernst Feiler, Managing Director of German rental house Kamera Ludwig, will give insight into new solutions that provide zero-emission power for film productions. Katja Köster will point out the options that a mixed reality studio offers. The Berlin-based LEDcave already hosted the Hollywood production Tár starring the Academy-Award winning actress Cate Blanchett.
The panel discussion "Energy Transition on set: Price, Practicability and Problem-solving" is focusing on mobile battery storage units. Regardless if is the energy demand is small, medium or large – there is always an alternative that can be used instead of the classic diesel generator. Jens Duwe from Lichthaus Berlin will share the experiences with the Stage V Hybrid System, that is continously in use on RTL’s successful series Good Times, Bad Times. The Ecobaze offered by Mobilespace, works on the same principle as Moritz Kromer will explain. The 100 kVA generator powered the production base when German director Chritian Petzold shot the Berlinale competition film Afire.
Roel Bleumer, co-founder of the Dutch startup company Volta Energy provides a solar-powered generator, which is equipped by an HVO-powered backup. Hydrotreated vegetable oils are also used for the backup generator of the Filmhybrid 30/60, which is developed by the newly founded company kemama. An advantage is that an asymmetrical load connected to the output won’t affect the three input phases as Niels Maier, CEO of Maier Bros., will point out. The Swiss company Cinegreen, co-founded by DoP Maher Malek, presents mobile power storage units, that have the advantage of preventing an unbalanced load of three-phase output from occuring.
The panel discussions are moderated by Birgit Heidsiek, Publisher of Green Film Shooting. The Green Tec Day takes place on February 20 from 10 am to 6 pm at the Johannisthaler Filmatelier, Groß-Berliner Damm 83a, 12487 Berlin. Admission is free for all visitors of the Green Tec Day and the shuttle service, which is provided between the Berlinale and the Line Producer Brunch to the Jofa Studio.
“The time for half-measures and climate denial is over. Unless we move quickly away from fossil fuels, we’re going to destroy the air we breathe, the water we drink, the health of our children, grandchildren and future generations. If we’re going to avoid the worst of the impacts, then we’ve just got to act boldly. And we must act immediately."
Robert Redford
Actor, Director, Producer, Environmentalist
"The media has a powerful role to play in the fight against climate change. Through films, television, and all media outlets, we must continue to deliver the message that solutions are out there and are happening now. We have to make it attractive for people to take action. Movies like Avatar, The Day After Tomorrow, and documentaries like Years of Living Dangerously, which I was proud to be a part of, have been very popular, reaching and inspiring millions of people. And I believe films in particular can really inspire and make people want to take action. It’s great to see some of my film-industry friends working with climate related organizations to push forward those messages."
„It‘s high time to reorganize film production in Germany in a ‚greener‘ and more sustainable way. So far, I am flabbergasted by how much our industry works in environmentally harmful ways.To this very day, it starts with until today one-sided print-outs of scripts, and then it continues with plastic bottles in production offices and lots of plastic waste with every catered meal, and it doesn‘t stop with the limousines that pull up to a red carpet.
For many years, people have sneered at me when I brought my own cup or I declined to eat cheap meat served on paper or plastic plates with plastic knives and forks. It would be great if the Green Shooting Card could change all that.“
Director (Ben X, Time of My Life)
„It’s absolutely great that filmmakers all over the world are trying to clean up their act, and are trying to film as sustainable as we possibly can. Still, I think we shouldn’t underestimate the incredible power of the moving image to also change the hearts and minds of people.
So, apart from trying to be more environmentally aware in our business, I think the big gain lies in how we might make everyone more environmentally aware. Yes, cinema can change the world.
I think filmmakers should start using the powerful weapon in our hands that is the camera.
Let’s not only try to do ‘less bad’. Let’s try to do right, and help drive the change that we all know needs to arrive.“
“We are living in a time in which we can’t afford to behave irresponsibly towards nature. The more important is it that film productions try to work as environmentally friendly as possible. A film team produces every day tons of garbage. I try to avoid using plastic cups on set, I bring my own cup, use ecofriendly cosmetics and avoid needless single rides.”
Photo ® Maddalena Arosio
Darren Aronofsky, Director, Noah / Jury President, 65th Berlin International Film Festival
“When we did Noah we knew we were making a film about the first steward of the earth, so we wanted to be good stewards ourselves. There’s so much waste on film sets. Because of groups like Earth Angel, we were able to change that a little bit.”
"As a TV and film producer I try to incorporate environmental storylines into my projects as much as possible. But it’s just as important, if not more, to ‚go green‘ behind the scenes! Therefore, I help run the Producers Guild of America’s Green Initiative.
We provide resources such as a Best Practices and a Carbon Calculator to help producers green their productions. We also partnered with all the major studios to create www.greenproductionguide.com which is a free green vendor database with over 2,000 vendors offering sustainable production solutions worldwide!"
‚Green screens excepted, we will do everything in our power to be as innovative as we can in order to make our production as green as possible.‘
Photo: (c) herbXfilm Dieter Mayr
Lars Jessen
Director (Fraktus, Dorfpunks, Am Tag als Bobby Ewing starb)
‘It is somewhat embarrassing that green filming is only now becoming an issue in our industry because there have long since been many possibilities to shoot more efficiently.
Technical innovations such as energy efficient lighting are as much a part of this as the awareness of every crew member.’
I do work with a company in the States called Sungevity that leases solar panels to homes. They figured out how to move forward environmentally and how to make it economically successful.
So that’s my small but steadfast global contribution. I think everybody doing a little bit is all that’s made any difference, ever.‘
Producer, Director and Visual Effects Supervisor (2001: A Space Odysee, Blade Runner)
"Trumbull Studios in Massachusetts is dedicated to being green as much as possible, including the use of LED lighting, solar power, and solar laptops. This is not just because our location has limited amperage and no three-phase, we believe we have a responsibility to our community and our planet to be a clean industry.
We are planning for digital photography in 3D 4K at 120 frames per second from remote and inaccessible locations that will not have available power. Solar is the way to go."
Dieter Kosslick, Director Berlin International Film Festival
„The Berlinale is already actively addressing the sustainability subject since years. We appreciate it very much that a growing number of filmmakers, among them this year‘s jury presiden Darren Aranofsky, is following green guidelines on set.“
Benoit Delhomme
Director of Photography (A Most Wanted Man)
‘I never have been told precisely what the rules are for shooting a green movie, but we are trying to do it. This is something new for me. Sometimes people overlight scenes at night. I don’t. If I can see with my own eyes, then it is enough for the film. In that sense I am a green DoP.’
Academy Award winner Jeremy Irons who stars in the Berlinale Competition entry The Night Train To Lisbon is a fan of source segregated recycling. „Especially in Germany you have done a lot for that. You are examplary in the matter of waste separation.“
The Hollywood actor travelled around the world to promote the environmntal documentary feature film Trashed by Candida Brady which deals with the global garbage problem: „We buy it, we bury it, we burn it and then we ignore it“, says Brady. „With Jeremy Irons as our guide, we discover what happens to the billion or so tons of waste that goes unaccounted for each year.“
Since the world premiere at the International Cannes Film Festival in 2012 Trashed picked up various nominations and awards at international festivals.