At the 27th FMX – Film & Media Exchange, that takes place during the International Animation Festival Stuttgart (ITFS) in Stuttgart from April 25. to 28. April, the environment and climate protection are an issue in various projects as well as in the production of the event for the first time. In the media and entertainment industry sustainability is tackled by green storytelling as as well as in the film production process. The FMX presents several projecs and processes hat are dealing with the requirements of the climate crisis.
The producer Philipp Nägelsbach presents the award-winning game Endling – Extinction is Forever that is raising awareness for social and ecological problems in nature that are caused by humans. Games fans can experience directly from the perspective of the last fox mother on earth how difficult it is to find food and a save place for her young. Philipp Nägelsbach will talk about his approach to tackle problems from the real world in an emotional way in the games universe.
The plastic polluion of the ocean is the subject of this year’s FMX trailer,which is based on the animated short film The Beauty by Pascal Schelbli. In this poetic journey through a fascinating underwater world with beautiful coral reefs in mysterious depths of the ocean, plastic and nature become one. The graduate of the Film Academy Baden-Württemberg received several international awards for his 2019 produced short film such as the Student Academy Award in the category Animation International, a Siggraph Jury’s Choice Award as well as a Visual Effects Society Award for Outstanding Visual Effects in A Student Project. At the FMX, the Director, VFX Supervisor, Producer and Creature TD talk about the underwater shooting, the concept and the detailed VFX workflow of the production.
In order to raise awareness around major climate-related issues Yannis Konstantinidis created the WWF series A Flammable Planet/Can’t Negoiate the Melting. In his presentationhe will point out how he animated real ice for Can’t Negoiate the Melting and had to control real fire for A Flammable Planet in order to communicate these difficult messages.
In regards to the carbon footprint of the production of animated film the enbergy use plays a key role. At the discussion ‘Evolving Research & Technology for a Minimized Footprint’, Volker Helzle, Animationsinstitut der Filmakademie Baden-Württemberg, Michael McKenna, Final Pixel, Prof. Jan Adamczyk, Hochschule der Medien and Ben Kent, Foundry, speak about technological innovations that may enable sustainabe media productions in the age of increasing processing power and rising energy costs. They will also discuss in which way sustainability will become part of the curriculum for the next generation of creatives and what kind of requirements VFX service companies and animation studios have to face in the future.
Virtual production is also an issue at FMX. The event ‘Virtual Production & Sustainability: Protecting the Environment’ features how virtual production techniques may have an significant impact to reduce carbon emissions versus traditional shooting techniques.
For the first time, the FMX took first steps to produce the event more eco-friendly. A huge impact has that the event location can easily be reached by travelling with public transportation. In order to inspire the visitors to come there by train, visitors received a discount for train tickets. The accomodation of guest is located in walking distance. The event location is powered with renewables. Sustainable procurement was a criteria for catering as well as the purchase of materials. Half of the catering is vegan or vegetarian, palm oil products are banned and endangered fish species won’t be served either. Last but not least, packaging and single-use plastic is avoided.
“The time for half-measures and climate denial is over. Unless we move quickly away from fossil fuels, we’re going to destroy the air we breathe, the water we drink, the health of our children, grandchildren and future generations. If we’re going to avoid the worst of the impacts, then we’ve just got to act boldly. And we must act immediately."
Robert Redford
Actor, Director, Producer, Environmentalist
"The media has a powerful role to play in the fight against climate change. Through films, television, and all media outlets, we must continue to deliver the message that solutions are out there and are happening now. We have to make it attractive for people to take action. Movies like Avatar, The Day After Tomorrow, and documentaries like Years of Living Dangerously, which I was proud to be a part of, have been very popular, reaching and inspiring millions of people. And I believe films in particular can really inspire and make people want to take action. It’s great to see some of my film-industry friends working with climate related organizations to push forward those messages."
„It‘s high time to reorganize film production in Germany in a ‚greener‘ and more sustainable way. So far, I am flabbergasted by how much our industry works in environmentally harmful ways.To this very day, it starts with until today one-sided print-outs of scripts, and then it continues with plastic bottles in production offices and lots of plastic waste with every catered meal, and it doesn‘t stop with the limousines that pull up to a red carpet.
For many years, people have sneered at me when I brought my own cup or I declined to eat cheap meat served on paper or plastic plates with plastic knives and forks. It would be great if the Green Shooting Card could change all that.“
Director (Ben X, Time of My Life)
„It’s absolutely great that filmmakers all over the world are trying to clean up their act, and are trying to film as sustainable as we possibly can. Still, I think we shouldn’t underestimate the incredible power of the moving image to also change the hearts and minds of people.
So, apart from trying to be more environmentally aware in our business, I think the big gain lies in how we might make everyone more environmentally aware. Yes, cinema can change the world.
I think filmmakers should start using the powerful weapon in our hands that is the camera.
Let’s not only try to do ‘less bad’. Let’s try to do right, and help drive the change that we all know needs to arrive.“
“We are living in a time in which we can’t afford to behave irresponsibly towards nature. The more important is it that film productions try to work as environmentally friendly as possible. A film team produces every day tons of garbage. I try to avoid using plastic cups on set, I bring my own cup, use ecofriendly cosmetics and avoid needless single rides.”
Photo ® Maddalena Arosio
Darren Aronofsky, Director, Noah / Jury President, 65th Berlin International Film Festival
“When we did Noah we knew we were making a film about the first steward of the earth, so we wanted to be good stewards ourselves. There’s so much waste on film sets. Because of groups like Earth Angel, we were able to change that a little bit.”
"As a TV and film producer I try to incorporate environmental storylines into my projects as much as possible. But it’s just as important, if not more, to ‚go green‘ behind the scenes! Therefore, I help run the Producers Guild of America’s Green Initiative.
We provide resources such as a Best Practices and a Carbon Calculator to help producers green their productions. We also partnered with all the major studios to create www.greenproductionguide.com which is a free green vendor database with over 2,000 vendors offering sustainable production solutions worldwide!"
‚Green screens excepted, we will do everything in our power to be as innovative as we can in order to make our production as green as possible.‘
Photo: (c) herbXfilm Dieter Mayr
Lars Jessen
Director (Fraktus, Dorfpunks, Am Tag als Bobby Ewing starb)
‘It is somewhat embarrassing that green filming is only now becoming an issue in our industry because there have long since been many possibilities to shoot more efficiently.
Technical innovations such as energy efficient lighting are as much a part of this as the awareness of every crew member.’
I do work with a company in the States called Sungevity that leases solar panels to homes. They figured out how to move forward environmentally and how to make it economically successful.
So that’s my small but steadfast global contribution. I think everybody doing a little bit is all that’s made any difference, ever.‘
Producer, Director and Visual Effects Supervisor (2001: A Space Odysee, Blade Runner)
"Trumbull Studios in Massachusetts is dedicated to being green as much as possible, including the use of LED lighting, solar power, and solar laptops. This is not just because our location has limited amperage and no three-phase, we believe we have a responsibility to our community and our planet to be a clean industry.
We are planning for digital photography in 3D 4K at 120 frames per second from remote and inaccessible locations that will not have available power. Solar is the way to go."
Dieter Kosslick, Director Berlin International Film Festival
„The Berlinale is already actively addressing the sustainability subject since years. We appreciate it very much that a growing number of filmmakers, among them this year‘s jury presiden Darren Aranofsky, is following green guidelines on set.“
Benoit Delhomme
Director of Photography (A Most Wanted Man)
‘I never have been told precisely what the rules are for shooting a green movie, but we are trying to do it. This is something new for me. Sometimes people overlight scenes at night. I don’t. If I can see with my own eyes, then it is enough for the film. In that sense I am a green DoP.’
Academy Award winner Jeremy Irons who stars in the Berlinale Competition entry The Night Train To Lisbon is a fan of source segregated recycling. „Especially in Germany you have done a lot for that. You are examplary in the matter of waste separation.“
The Hollywood actor travelled around the world to promote the environmntal documentary feature film Trashed by Candida Brady which deals with the global garbage problem: „We buy it, we bury it, we burn it and then we ignore it“, says Brady. „With Jeremy Irons as our guide, we discover what happens to the billion or so tons of waste that goes unaccounted for each year.“
Since the world premiere at the International Cannes Film Festival in 2012 Trashed picked up various nominations and awards at international festivals.