The 2025 Euro Cine Expo in Munich showcases the latest developments in the film, TV and media production world from June 26- 28, 2025. Located at Motorworld Munich, the three-day event will host more than 100 exhibitors from and over 40 symposium sessions. This year’s edition is attracting industry professionals from more than 50 countries. Euro Cine Expo 2025 offers cinematographers, camera operators, gaffers, producers, as well as film students a unique opportunity to take a closer look at the very latest developments in filmmaking technology. This also includes energy and resource efficient equipment for film productions.
By presenting the largest selection of reflectors, Dedo Weigert will feature incomparable advantages in the areas of green tech and ecology. Variable and motorized reflectors RGB-ACL lights up to 1,800 W, perfect color and performance, supplemented by optics that functionally expand the reflected light and also offer synchronization of colors and intensity.
At Euro Cine Expo, attendees can enter two fully equipped, live sets in the new Camera & Lens Zone, and try out the latest cameras, lenses, and accessories in real-world shooting environments. In-depth demos and panel discussions will be running in the adjoining theatre so that visitors can learn directly from the manufacturers and creatives shaping the future of cinematography. The new Rental Village will provide a dedicated area for the industry’s top rental houses to showcase their kit and expertise.
Moreover, visitors can take part in two full days of expert-led panels, workshops, and technical seminars designed to inspire and inform. The IMAGO Technical Committee (ITC) will run an extensive program of more than twelve sessions in the symposium program, which offer in-depth technical insights for cinematographers, crew, technicians and all industry professionals involved in the production process. The sessions cover topics such as look management, color, light demands, and production workflow.
The award-winning Finnish cameraman Rauno Ronkainen will focus on the cinematographer’s role and tools in creation of “the Visual Score” for the film and also the cinematographer’s attempts to control the uncontrollable. Visual dramaturgy is a key role when a cinematographer makes any attempt to interpret the relationship between the written story and visual dramaturgy. Relationship with the written form and visualization can be either in sync or in contra punctual, but eventually the combination of both aims to create emotional and psychological impact – in the own language of the cinema.
At the color science seminar, Tim S Kang calls for the end of color control confusion. The color changing LED lighting also brought unintended consequences such as forced color choices, loss of direct color control as well as unforeseen technical barriers.
Acclaimed cinematographer Bill Bennett has developed a signature approach to capturing vehicles in their best light. This hands-on seminar begins with a showcase of standout commercial work, followed by a detailed breakdown of the lighting setups and techniques used—supported by behind-the-scenes photos and video. He will demonstrate his studio-based method for mimicking the beauty of “magic hour” lighting using a scale model, giving visitors a practical, step-by-step look at the process.
“The time for half-measures and climate denial is over. Unless we move quickly away from fossil fuels, we’re going to destroy the air we breathe, the water we drink, the health of our children, grandchildren and future generations. If we’re going to avoid the worst of the impacts, then we’ve just got to act boldly. And we must act immediately."
Robert Redford
Actor, Director, Producer, Environmentalist
"The media has a powerful role to play in the fight against climate change. Through films, television, and all media outlets, we must continue to deliver the message that solutions are out there and are happening now. We have to make it attractive for people to take action. Movies like Avatar, The Day After Tomorrow, and documentaries like Years of Living Dangerously, which I was proud to be a part of, have been very popular, reaching and inspiring millions of people. And I believe films in particular can really inspire and make people want to take action. It’s great to see some of my film-industry friends working with climate related organizations to push forward those messages."
„It‘s high time to reorganize film production in Germany in a ‚greener‘ and more sustainable way. So far, I am flabbergasted by how much our industry works in environmentally harmful ways.To this very day, it starts with until today one-sided print-outs of scripts, and then it continues with plastic bottles in production offices and lots of plastic waste with every catered meal, and it doesn‘t stop with the limousines that pull up to a red carpet.
For many years, people have sneered at me when I brought my own cup or I declined to eat cheap meat served on paper or plastic plates with plastic knives and forks. It would be great if the Green Shooting Card could change all that.“
Director (Ben X, Time of My Life)
„It’s absolutely great that filmmakers all over the world are trying to clean up their act, and are trying to film as sustainable as we possibly can. Still, I think we shouldn’t underestimate the incredible power of the moving image to also change the hearts and minds of people.
So, apart from trying to be more environmentally aware in our business, I think the big gain lies in how we might make everyone more environmentally aware. Yes, cinema can change the world.
I think filmmakers should start using the powerful weapon in our hands that is the camera.
Let’s not only try to do ‘less bad’. Let’s try to do right, and help drive the change that we all know needs to arrive.“
“We are living in a time in which we can’t afford to behave irresponsibly towards nature. The more important is it that film productions try to work as environmentally friendly as possible. A film team produces every day tons of garbage. I try to avoid using plastic cups on set, I bring my own cup, use ecofriendly cosmetics and avoid needless single rides.”
Photo ® Maddalena Arosio
Darren Aronofsky, Director, Noah / Jury President, 65th Berlin International Film Festival
“When we did Noah we knew we were making a film about the first steward of the earth, so we wanted to be good stewards ourselves. There’s so much waste on film sets. Because of groups like Earth Angel, we were able to change that a little bit.”
"As a TV and film producer I try to incorporate environmental storylines into my projects as much as possible. But it’s just as important, if not more, to ‚go green‘ behind the scenes! Therefore, I help run the Producers Guild of America’s Green Initiative.
We provide resources such as a Best Practices and a Carbon Calculator to help producers green their productions. We also partnered with all the major studios to create www.greenproductionguide.com which is a free green vendor database with over 2,000 vendors offering sustainable production solutions worldwide!"
‚Green screens excepted, we will do everything in our power to be as innovative as we can in order to make our production as green as possible.‘
Photo: (c) herbXfilm Dieter Mayr
Lars Jessen
Director (Fraktus, Dorfpunks, Am Tag als Bobby Ewing starb)
‘It is somewhat embarrassing that green filming is only now becoming an issue in our industry because there have long since been many possibilities to shoot more efficiently.
Technical innovations such as energy efficient lighting are as much a part of this as the awareness of every crew member.’
I do work with a company in the States called Sungevity that leases solar panels to homes. They figured out how to move forward environmentally and how to make it economically successful.
So that’s my small but steadfast global contribution. I think everybody doing a little bit is all that’s made any difference, ever.‘
Producer, Director and Visual Effects Supervisor (2001: A Space Odysee, Blade Runner)
"Trumbull Studios in Massachusetts is dedicated to being green as much as possible, including the use of LED lighting, solar power, and solar laptops. This is not just because our location has limited amperage and no three-phase, we believe we have a responsibility to our community and our planet to be a clean industry.
We are planning for digital photography in 3D 4K at 120 frames per second from remote and inaccessible locations that will not have available power. Solar is the way to go."
Dieter Kosslick, Director Berlin International Film Festival
„The Berlinale is already actively addressing the sustainability subject since years. We appreciate it very much that a growing number of filmmakers, among them this year‘s jury presiden Darren Aranofsky, is following green guidelines on set.“
Benoit Delhomme
Director of Photography (A Most Wanted Man)
‘I never have been told precisely what the rules are for shooting a green movie, but we are trying to do it. This is something new for me. Sometimes people overlight scenes at night. I don’t. If I can see with my own eyes, then it is enough for the film. In that sense I am a green DoP.’
Academy Award winner Jeremy Irons who stars in the Berlinale Competition entry The Night Train To Lisbon is a fan of source segregated recycling. „Especially in Germany you have done a lot for that. You are examplary in the matter of waste separation.“
The Hollywood actor travelled around the world to promote the environmntal documentary feature film Trashed by Candida Brady which deals with the global garbage problem: „We buy it, we bury it, we burn it and then we ignore it“, says Brady. „With Jeremy Irons as our guide, we discover what happens to the billion or so tons of waste that goes unaccounted for each year.“
Since the world premiere at the International Cannes Film Festival in 2012 Trashed picked up various nominations and awards at international festivals.
By presenting the largest selection of reflectors, Dedo Weigert will feature incomparable advantages in the areas of green tech and ecology. Variable and motorized reflectors RGB-ACL lights up to 1,800 W, perfect color and performance, supplemented by optics that functionally expand the reflected light and also offer synchronization of colors and intensity.
At Euro Cine Expo, attendees can enter two fully equipped, live sets in the new Camera & Lens Zone, and try out the latest cameras, lenses, and accessories in real-world shooting environments. In-depth demos and panel discussions will be running in the adjoining theatre so that visitors can learn directly from the manufacturers and creatives shaping the future of cinematography. The new Rental Village will provide a dedicated area for the industry’s top rental houses to showcase their kit and expertise.
The award-winning Finnish cameraman Rauno Ronkainen will focus on the cinematographer’s role and tools in creation of “the Visual Score” for the film and also the cinematographer’s attempts to control the uncontrollable. Visual dramaturgy is a key role when a cinematographer makes any attempt to interpret the relationship between the written story and visual dramaturgy. Relationship with the written form and visualization can be either in sync or in contra punctual, but eventually the combination of both aims to create emotional and psychological impact – in the own language of the cinema.
Robert Redford
Arnold Schwarzenegger
Hannes Jaenicke
Nic Balthazar
Nadeshda Brennicke, Actress
Darren Aronofsky, Director, Noah / Jury President, 65th Berlin International Film Festival
Tim Bevan
Thekla Reuten
Rachael Joy
Nikola Rakocevi
Nadja Schildknecht
Michael Bully Herbig
Lars Jessen
Helen Hunt
Douglas Trumbull
Dieter Kosslick, Director Berlin International Film Festival
Benoit Delhomme
Jeremy Irons